In July of 2013 curator Jason Miller launched the first of what would become a seventeen part exhibition series, which would consist of sixteen solo shows held at Gasoline Gallery in Memphis' Historic Broad Avenue Arts District and spanning from over four months until its finale show held on November 22, 2013.
One year later Miller orchestrated a group exhibition that expanded beyond the sixteen original artists into forty-four in an exhibition titled Circuitous Succession: Epilogue, and featured fifty-seven artworks all within the Scottish Rite Cathedral of Memphis. The linking of unique artworks with the perplexing presence of historically charged spaces was a constant throughout the two year series of experimental shows in two parts of Memphis.
Ultimately, thousands of visitors attended the series, with over 350 attending the opening reception of the group exhibition alone to view the artworks in juxtaposition with the four stories of the Scottish Rite that now is home to Masonic Contemporary Museum.
Since its conception, the Circuitous Succession Series has curated alternative spaces and white cube gallery environments. Headquartered at 825 Union Ave, Circuitous Succession extends to include satellite gallery spaces in Memphis communities. As project founder and curator Jason Miller represents mid-career to established artists, while periodically introducing select emerging artists into the mix.